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书圣王羲之最小的儿子王献之是和羲之齐名的书法大家,世人将其并称『二王』,他们又与张芝、钟繇合称『书中四贤』。在书法史上影响之大,鲜有匹敌。但王献之在书史上的名声曾经大起大落。在王羲之逝世之后,尤其在宋、齐两代,小王名声曾经超过其父,为世所独尊。但后世经过梁武帝、特别是唐太宗的贬抑,几乎受到灭顶之灾。在很长时间之内,其作品准以流传,也使其书法的本来面目变得模糊不清,使后人的鉴别工作遇到很大困难。但侥幸的是,他也有个别(或少数)较能反映其真实面貌的作品流传下来.其中首屈一指的就是《廿九日帖》,其次刻帖《十二月帖》也算较为可靠。
Wang Xizhi, the youngest son of the book, Wang Xizhi, is the famous calligrapher of Xi. The world calls them “the two kings,” and they are also collectively called “the Four Sages in the Book” with Zhang Zhi and Zhong Kui. Little influence in the history of calligraphy, rarely rivalry. However, Wang Xianzhi’s fame in the history of the book has been ups and downs. After Wang Xizhi’s death, especially in Song and Qi generations, Wang’s fame once surpassed his father and was the only one in the world. However, later Emperor Liang, especially Tang Taizong, derogatory, almost destroyed. In a very long period of time, his works have been allowed to circulate, and the original appearance of his calligraphy has also been blurred. This has made it very difficult for future generations to distinguish themselves. Fortunately, he also has a few (or a few) works that reflect his true face, including the 29th post, followed by the December post, which is also more reliable.