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生活是艺术的源泉,已广为画家所接纳。但有时提起此论依然有老旧之嫌,更有甚者认为其已不合时宜,或限制了艺术的发展,或使艺术才华不能尽情发挥。每个艺术家只要生在人世都沉浸于各种不同的生活之中,即使是梦幻也同样是一种生活的折射,脱离不了人生的客观存在。人类自从有了思维活动与生产活动,艺术也就诞生了,并且随着人类生产活动的拓展,向更深更广的空间发展。我们所见到的历史上优秀的文艺作品都是它所产生的那个时代的最强音。简言之,艺术的任何门类都与生活充满着血肉联系,同样中国古老的山水画亦是沿着这一艺术的法则,经过两千多年的发展、若干代人的努力,铸就了中国文明在世界艺术之林的丰碑。在新世纪的起始之际,再认识生活与艺术之间的关系,把握时代的脉搏,关注祖国河山在新时代的
Life is the source of art, which has been widely accepted by painters. Sometimes, however, mention of this is still old-fashioned. What is more, people think it is outdated, or restrict the development of the arts or make the artistic talents unable to give full play. Every artist immersed in life, immersed in various lives, even the dream is also a refraction of life, can not be separated from the objective existence of life. Since human beings had their thinking and production activities, art has also been born. With the development of human activities, it has expanded to a broader and broader space. The finest works of literature and art that we have ever seen in history are the strongest voices of the era that it produced. In short, any category of art is full of flesh and blood ties with life. Similarly, the ancient Chinese landscape painting follows this art principle. After more than two thousand years of development, the efforts of several generations have shaped the development of Chinese civilization The monument of the world art of forest. At the beginning of the new century, we should recognize the relationship between life and art, grasp the pulse of the times and pay attention to the motherland and rivers and mountains in the new era