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20世纪的书法美学,起步于20年代,到80～90年代已发展为一门比较成熟的现代学科。它在不断完善自身的同时,也为整个书法艺术的发展做出了不可磨灭的贡献——如果没有它关于书法一般艺术属性的阐述,则书法至今部徘徊于艺术家族之外;如果没有它对书法类别属性与特殊属性的揭示,则书法至今都找不到艺术上的盟友与自身存在的个性化标志。而这样一来,书法艺术又何能出现一波又一波的热潮,让
20th century calligraphy aesthetics, started in the 1920s, 80 to 90 years has developed into a more mature modern science. While constantly perfecting itself, it has also made an indelible contribution to the development of the whole calligraphy art. Without its elaboration on the general artistic properties of calligraphy, calligraphy has been hovering beyond the artistic family till now. Without it Calligraphy category attributes and the disclosure of special attributes, calligraphy so far can not find the art of allies and their own existence personalized mark. As a result, the art of calligraphy there can be wave after wave of ups and downs