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借鉴荣格的原型理论观,对《简·爱》进行文本的细读和分析,我们认为简爱体现了作者夏洛特的人格面具,疯女人伯莎体现了她的心理阴影,罗切斯特代表了她心中和现实中整合为一的阿尼姆斯。三者之间的相互协调与变化,就是夏洛特“自身”现实化得以实现的过程。这一过程又体现了作者的女性主义观点:女性主义者的终极目标不仅要解构男权中心主义,也要消解女性主义,以此来构建两性和谐关系。
Borrowing from Jung’s archetypal theoretical viewpoints, we can conclude that Jane Eyre embodies Charlotte’s personality mask, Madness Bertha embodies her psychological shadow, and Rochester represents Animus, one of her heart and reality. The coordination and change among the three are the process of realizing the realization of Charlotte “itself ”. This process also reflects the author’s feminist point of view: the ultimate goal of feminists is not only to deconstruct patriarchalism, but also to eliminate feminism in order to build a harmonious relationship between men and women.