舞蹈创作与鉴赏之间的联系构成

• 作 者: 杨军
• 机 构: 北京舞蹈学院,
• 出 处: 科学中国人
• 发表日期: 2016年17期
• 关键词: 《洛神赋》 曹丕 自我评价 建安七子 惊恐万分 人生百态 儒家正统 人生感悟 君临天下 气场

非常有幸的在一次偶然的机会里看到了王玫老师创作的舞剧《洛神赋》。拜读之后,在深深赞叹和钦佩之余不禁引发许多遐想。舞剧《洛神赋》里贯穿着大量的对曹植这一人物自我主观的判定和自我评价,观众在这个编导自我独到视角中感受到了无限回味和深思。舞蹈在这一刻有了充分的话语权。舞剧观看后的确引发了许多想法并想去探索追寻。对待舞蹈本身、本体的审视追求。舞蹈的创作方面和观赏方面一定是双面看的。这两者之间都是一个主动接受和自我再创造的过程。

Very fortunate in an accidental opportunity to see Wang Mei teacher created the dance drama “Luo Fu.” After reading, deeply amazed and admiration can not help but lead to many reverie. The dance drama “God of Love” runs through a large number of self-subjective judgments and self-evaluations of this character Cao Cao, the audience in the director’s unique perspective felt infinite aftertaste and pondering. Dance at this moment has a full voice. After watching the dance drama does trigger a lot of ideas and want to explore to pursue. Treat the dance itself, the pursuit of ontology. The creation and viewing of dance must be double-sided. Between the two is a process of active acceptance and self-creation.