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张桂林的艺术历程具有一种历史的意义,这个历史是特指的,不仅指他作为中国丝网版画的先行者,参与建立了中国第一个丝网工作室;也指他在丝网语言的探索上体现出的历史过程,一个从必然到自由的过程。在张桂林的艺术中,历史还是一种真实的存在,如果我们从题材类型上把他的艺术历程分为三个阶段的话,那么前两个阶段都与历史有着密切的联系。历史来自他的题材,他在80年代的创作题材主要是中国古代的建筑。从故宫到长城,从老屋到民居,古旧建筑一再出现在他的画面上。从整体上看,这是一个语言寻找对象的时期。任何艺术语言都是通过它的对象体现出来的,就像木刻、铜版一
Zhang Guilin’s art history has a historical significance. This history is specific. He not only refers to him as the forerunner of Chinese screen printing, but also participates in the establishment of China’s first screen studio. He also refers to his exploration of screen language Reflected on the historical process, a process from necessity to freedom. In the art of Zhang Guilin, history is still a real existence. If we divide his art history into three stages from the genre, then the first two stages have a close relationship with history. His history comes from his subjects. His creative themes in the 1980s were mainly ancient Chinese architecture. From the Forbidden City to the Great Wall, from old houses to dwelling houses, ancient buildings appear again and again on his picture. Overall, this is a period in which language is looking for an object. Any art language is reflected through its objects, like woodcut, copperplate one