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记得《中国书画报》曾在面临世纪之交时,发表过时任中国艺术研究院美术研究所所长、《中国美术史》副总主编的美术史论家邓福星撰写的一篇论文,题为《在探索中发展——中国画五十年回眸》,其中谈及:“高剑父、刘奎龄、徐悲鸿以及赵望云、蒋兆和、沈逸千等以不同的方式不同程度地对中国画进行了改革。从一定意义上说,他们成为后来写实中国画的先驱……中国画的写实派先驱们筚路蓝缕,以启山林,正在开创着一个新兴的画派。这一画派在20世纪中叶的中国画坛上独领风骚。”(语见1999年9月30日《中国书画报》)然而,在以上一连串大画家名单中,有一个名字是当代读者比较陌生的,那便是英年早逝的上世纪“三十年
I remember when the ”Chinese Calligraphy and Painting Newspaper“ faced the turn of the century, he published an article written by the art history critic Deng Fuxing, who was out of date as director of the Institute of Fine Arts of China Academy of Art and the editor in chief of ”China Art History“ entitled ”Development in Exploration - A Review of Chinese Paintings in 50 Years“, in which they talk about: ”Gao Jianfu, Liu Kuiling, Xu Beihong and Zhao Wangyun, Jiang Zhaohe and Shen Yat-sen have carried out reforms on Chinese painting to different extents in different ways. They said that they have become the pioneers of later realistic Chinese paintings ... The realistic pioneers of Chinese painting are steeped in trails and Kai Shan is opening up a new school of painting that has dominated the Chinese painting scene in the mid-20th century. However, in the above list of big painters, there is a name that is more unfamiliar to contemporary readers, that is, the death of a young man in the last century "thirty year