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《大舞台》1988年第一期载尹丕杰的《戏曲因何陷于危机而难于自拔》。文中说,当前,戏曲界有一股相当强大的保守势力。今天,戏曲面临的最根本的矛盾是改革与守旧的矛盾。一、戏曲队伍从旧时代承袭了大量封建主义意识,建国至今,迄未受到彻底清理。在反民族虚无主义的口号下,掩盖了恋栈旧物,僵化自封;在反崇洋媚外的口号下,掩盖了赵太爷式的不许革命;在尊师敬长的教导下,精神上保留了师徒间的人身依附关系;在规规矩矩唱戏的告诫下,规定了青年演员不得超越前辈。今天,当这些腐朽的因
“The Big Stage” 1988, the first issue of Yin Pi-jie’s “opera because of the crisis and difficult to extricate themselves.” The article said that at present, the drama industry has a very powerful conservative forces. Today, the most fundamental contradiction that the drama faces is the contradiction between reform and conservativeness. First, the opera troupe inherited a great amount of feudal ideology from the old times. Since the founding of the People’s Republic of China, it has not yet been thoroughly cleaned up. Under the slogan of anti-national nihilism, it obscured the old things in the unremitting love stack and rigidified itself. Under the slogan of denouncing foreignism, it concealed the disallowance of the revolution of the Zhao Ta-yel-style. In the teaching of honoring the decency and honor, The attachment of the body; in the regular play singing admonition, provides that young actors shall not surpass their predecessors. Today, when these decadent causes