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本文因观摩首届四川艺术节演出而有所触动和感悟,从戏剧文学这个侧面,结合对艺术规律的认识,特别是戏剧创作的题材与表现问题,就本土创作或改编的部分剧目谈个人的见解。认为题材问题首先是认识问题,选择题材的过程实际上是作者、作品形式与题材三个要素相互产生依存关系的动态过程,我们应当从哲学的层面清醒地认知题材问题的实质,警惕变相的“题材决定”论对当前和今后戏剧创作的负面影响。认为戏剧作为舞台艺术的整体表现,它是创作者的主体审美观念、艺术手法与作品的客体呈现的统一、凝聚和融合。戏剧艺术表现要注重观演关系,戏剧艺术表现要警惕以新闻代艺术的泛宣教化倾向,戏剧艺术表现要去除主观随意性和自审意识。
This article is touched and comprehended by observing the performance of the first Sichuan Arts Festival. From the aspect of drama literature, combining with the understanding of the law of art, especially the theme and expression of drama creation, this article talks about the personal opinions of some local dramas or adaptations . We think that the problem of the subject matter is to recognize the problem in the first place. The process of selecting the subject matter is actually the dynamic process in which the three elements of the author, the form of the work and the subject material mutually depend on each other. From the philosophical level, we should clearly understand the essence of the subject matter and guard against the disguise The Negative Influence of “Theme Decision” on Present and Future Drama Creation. It is considered that theater, as the overall performance of the stage art, is the unity, cohesion and integration of the subject’s aesthetic conception, artistic technique and the object of the works. The performance of dramatic arts should pay attention to the relationship between performance and play. The performance of theatrical arts should be wary of the pan-propaganda tendency of the generation of news generation, and the performance of theatrical art should remove the subjective and arbitrary sense of self-examination.