【摘 要】
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如果说文革前我国美术院校的基本功教学过分强调客观再观,并失之于模式单一的话,那么,现在是否在突出主体性和多样化的时候,又有些放任自流,以致教学在随意性中失去
If we
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如果说文革前我国美术院校的基本功教学过分强调客观再观,并失之于模式单一的话,那么,现在是否在突出主体性和多样化的时候,又有些放任自流,以致教学在随意性中失去
If we say that before the Cultural Revolution, the basic teaching of Chinese art schools overemphasized the objective re-education and lost the unity of mode. Now whether or not to emphasize the subjectivity and diversity, we are still somewhat laissez-faire, so that teaching is in randomness lose
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