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20世纪90年代以来,中国现代艺术日益呈现出边缘化、商业化、国际化、民间化和多元化的趋势。边缘化,指现代艺术在中国人的整个社会生活中处于非中心地位,因为,毕竟我们正在经历一个从政治向经济转型的时代;商业化,指现代艺术的创作,最终以市场为目的,其展览需要一定的资本支持,这在架上领域尤为明显;国际化,指中国的现代艺术家、策展人,越来越自觉地介入到国际艺术的交流活动中;
Since the 1990s, the trend of marginalization, commercialization, internationalization, privatization and diversification of Chinese modern art has become increasingly evident. Marginalization refers to the fact that modern art is in an unfocused position in the overall social life of the Chinese because, after all, we are experiencing an era of transition from politics to economy. Commercialization refers to the creation of modern art and ultimately to the market. Its The exhibition needs some capital support, which is particularly evident in the field of shelving. Internationalization means that Chinese modern artists and curators are becoming more and more consciously involved in the exchange of international art.