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从现象上看,近十年来艺术品市场十分火热,走势看好,不仅是投入的资本量呈几何倍数增长,而且作品形式、消费层次、投资来源、交易类型、操作方式越来越多,海外画廊的涌进,政府对艺术区的打造,拍卖会的兴起,不仅把艺术市场这锅汤烧得火热,而且催生出一个庞大而复杂的市场体系,在这个体系中,角色越位、身份跨界、规则和潜规则、显体制和暗体制相互缠绕纠结。艺术市场总体表现出由消费型向投资型的转向,已远远跨出了出于文化精神需求或“炫耀性”的消费领域了,而成为一个类似于股票、期货的资本市场,聚集了大量社会财富,迭起的拍卖纪录上演出一幕幕有些无厘头但却实实在在的“暴富”神话。一件新作面世,
From a phenomenal point of view, the art market has been very hot in the past decade. The trend is promising. Not only is the amount of capital invested in a geometric multiples growth, but also the form of work, the level of consumption, the sources of investment, the type of transactions and the mode of operation. The influx of the government into the art district and the rise of the auction have not only burned the art market with a hot pot, but also spawned a large and complex market system in which characters are offside, identity is cross-border, Rules and unspoken rules, significant system and dark system intertwined entangled. The art market as a whole has shown a shift from consumer-oriented to investment-oriented, far beyond the consumption field of cultural conspiracy or conspicuousness, becoming a capital market similar to stocks and futures, gathering A lot of social wealth, the auction results after another on the scene some nonsense but real “rich” myth. A new work available,