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京剧艺术家马连良的卓越成就的取得,是由于他有什么得天独厚的禀赋,有什么得力后台老板的捧场吗?不,他都没有。相反,他具有的正是一些不利的条件。他的一生大多是处在逆境之中。但他把不利的逆境变作鞭策、激励自己前进的动力。他正是以奋发图强的精神,克服不利,战胜逆境,从而走向成功。我们知道马先生初在“喜连成”科班时,曾学武生,并不专学老生。为什么?是为使他更全面的发展吗?不是,是唯恐他单老生一行不一定准成.所以来个“两门抱”。如在今天,就该说“组织不重点培养”
Peking Opera artist Ma Lianliang’s remarkable achievements made because of what he blessed endowment, what effective background boss’s support? No, he did not. On the contrary, he has some unfavorable conditions. Most of his life is in adversity. However, he turned the adverse adversity into an incentive to motivate his own progress. He is in the spirit of making a success, overcome disadvantages, overcome adversity, and thus success. We know Mr. Ma first “in even as” Coban, had studied Wusheng, not a junior college students. Why? To make him a more comprehensive development? No, it is not afraid that he and his entourage may not agree, so a “two-door hug.” As today, it should be said that “the organization does not focus on training”