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董其昌(1555—1636),字玄宰,号思白、香光居士,华亭(上海松江)人。官至南京礼部尚书,谥文敏。是明代后期杰出的书画家、书画理论家。他的著述《画禅室随笔》是明清书画史上“南北宗论”的重要理论支撑。书法以草书、行书著称。董其昌学习书法的道路,“初师颜平原《多宝塔》,又改学虞永兴。以为唐书不如晋魏,遂仿《黄庭经》及钟元常《宣示表》《力命表》《还示帖》《丙舍帖》,凡三年,自谓逼古,不复以文徵仲、祝希
Dong Qichang (1555-1636), word Xuanzai, No. White thinking, Hong light lay, Huating (Shanghai Songjiang) people. Officer to Nanjing Li Bu Shang Shu, Wen Min. Is the late Ming Dynasty outstanding painter, calligrapher and theorist. His writing ”Painting the Zen Essay“ is an important theoretical support for ”Northern and Southern Sect Theory“ in the history of Ming and Qing calligraphy and painting. Calligraphy cursive, famous book. Dong Qichang learning calligraphy road, ”first division of the plain“ multi-pagoda ”, but also change Yu Yu-Hing .Tangs not as good as the Jin Dynasty, then imitation“ Huang Tingjing ”and Zhong Yuanchang“ declaration table ”“ life table ” “” C Xie Shentang ", where three years, since the archaic, no longer to Wenzhong, Zhu Xi