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萧绎的《金楼子·立言》是梁代文论史的重要文献。其对“文”的描述：“惟须绮纷披，宫徵靡曼，唇吻会，精灵摇荡”，常被今人作为萧绎推重性情、注重词藻、倡言新变的证据。这是未细审原作而致的极大误解。从《立言》全篇的立意、《金楼子》全书的旨趣、萧绎的创作风格来看，此说不能成立。实际上，萧绎对儒、学、笔、文的分析，明显寓有崇德抑文的高下之义，“惟须”并非褒扬之“必须”，实乃贬斥之“只须”。萧绎的文学观并非倡言新变，而是尊经尚古，注重文质彬彬，和萧统同调。
Xiao Yi’s “Golden House Zi Li Yan” is an important literary history of Liang Dynasty literature. Its description of “Wen”: “However, it is necessary to make a beautiful appearance, and the palace is extravagant Man, lip kiss society, elves shake”, often by today as Xiao Yi to stress temperament, pay attention to rhetoric, evidence of new changes. This is a great misunderstanding caused by the original trial. From the “Li Yan” whole article of the conception, “The Golden House,” the purport of the book, Xiao Yi’s creative style point of view, this can not be established. In fact, Xiao Yi’s analysis of Confucianism, Confucianism, Pen and Literature clearly contains the supremacy of Zunde Zichen. The “must” is not the “must” praised but the “only” denounced. Xiao Yi’s literary view is not a new advocate of change, but respect the ancient, pay attention to gentlemanly, and Siu Tong Tong.