无可奈何花落去——斯·茨威格小说女性“畸零人”研究

• 作 者: 朱丹
• 机 构: 陕西理工学院外国语学院,
• 出 处: 短篇小说(原创版)
• 发表日期: 2015年18期
• 关键词: 茨威格 畅销小说 心理描写 创作风格 象征主义 短篇小说家 文艺评论 俄国形式主义 科夫 风声水起

一、引言斯蒂芬·茨威格与莫里亚克和契科夫被并称为20世纪欧洲三大中短篇小说家。其作品被译成50多种语言,行销全球达几百万册。鉴于此,文艺评论界,尤其是国内评论界对其作品的研究自90年代开始便风声水起,审视其作品的艺术价值而不是简单的以“畅销小说”冠名而敷衍了事。茨威格以唯美主义和象征主义创作风格步入文坛,根据国内学者的研究,普遍认同其作品一贯以细腻的心理描写为主要特色,[1,2]以对

I. INTRODUCTION Stephen Zweig and Mauriac and Chekov are also referred to as the three major short-and-short storytelling writers in Europe in the 20th century. His work has been translated into more than 50 languages ​​and reaches millions worldwide. In view of this, the literary and art critics, especially the critics in China, have studied their works since the 90’s, and have seen the artistic value of their works rather than simply the title of “bestseller novel.” Zweig went into the literary world with the style of aestheticism and symbolism. According to the research of domestic scholars, his works are generally accepted as the main features of the delicate psychological description [1,2]