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在话剧《一念之差》的创作构思过程中,我和王真几乎从来没有研究过我们这个戏的主题、立意、思想性一类问题,却常常为那过于奇巧的故事设置不约而同地发问:我们不是在硬编戏吧?于是我们就回过头来分析我们的生活素材,反思我们对生活的心理感受。当确认自己作品中的人物是有根据的、实在的、真实的,人物性格的发展符合生活逻辑和我们的审美理想时,我们就坚定了信心,决心把戏写出来。我体会到,作者要依靠自己对生活的独特感受,把握住人物性格的本质特点去进行艺术构思,如果急不可耐地先将主题及“正确观念”抽出来加以强调,试图通过一些必须场面硬强加、硬塞给观
In the creative conception of the drama “One Idea”, I and Wang Zhen have never studied the themes, conceptions and ideological issues of our drama. However, they often ask the overly trivial stories spontaneously: We are not trying hard So, let’s go back and analyze the material of our life and reflect on the psychological experience of our life. When we confirm that the characters in our own works are based, real, real, and character development in line with the logic of life and our aesthetic ideal, we are confident and determined to write the game. I realized that the author should rely on his own unique experience of life and grasp the essential characteristics of the character to carry out his artistic conception. If he is impatient to emphasize the theme and the “correct concept” first, he tries to pass some necessary hard scenes Impose, hard to view