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前机械工程师朱岩或许是一个特例——他不曾使用过也搞不懂135照相机;他也从未拥有过任何一部135照相机。90年代开始拍照,一上手选择的便是比35mm胶片面积大50倍的8×10机背取景相机。我们应当相信如下真理:凡重要的梦想都有自我实现的能力。而这种自我实现的要义,尽在于准确地选择。在这一个宏大庞杂的视觉帝国里,选择了形式便是选择了风格。亨利·卡迪埃—布勒松一生拍掉了1.5万筒135胶卷。中国杰出的纪实摄影家侯登科交替使用着莱卡M与R系统——侯登科、朱岩,还有许许多多位严肃的摄影家,他们都不是刻翠剪红、弄月吟风或只是玩弄新艺术皮相的人。他们谨严地选取着就手的工具,坚执着技术上的操守。基准一经确立,便终其一生地捍御着属于自己的版本。
Zhu Yan, a former mechanical engineer, may be a special case - he never used it or did not understand the 135 camera; he never owned any of the 135 cameras. 90 years began to take pictures, first hand choice is 35 times larger than 35mm film area 8 × 10 back viewfinder camera. We should believe in the truth that all important dreams have the power to self-fulfill. And the essence of this self-realization, all in the accurate choice. In this huge complex visual empire, the choice of form is to choose the style. Henry · Cadier - Bu Leisong life shot off 1.5 million 135 tube 135 film. Hou Dengke, an outstanding documentary photographer in China, used the Lycra M and R systems alternately - Hou Dengke and Zhu Yan, and many serious photographers. All of them are not cutting the red, altering the moon or just playing new Art skin people. They rigorously selected the tools that they hold, sticking to technical ethics. Once the benchmarks are established, they defend their own versions for the rest of their lives.