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抗战时期,以战时首都重庆为中心的大后方曾出现一场波澜壮阔的抗战木刻运动。这场艺术运动最主要和生动的体现就是风起云涌、延绵数年不衰的木刻展览活动。本文以领导这场运动的两个木刻组织——即前期的中华全国木刻界抗敌协会和后期的中国木刻研究会为主轴,对战时首都举办的各种木刻展览作系统梳理。藉此弥补抗战美术史和中国新兴版画史研究中的不足,另一方面回溯、认识发生在特殊年代和背景下的具有特定内涵和形态的艺术活动。
During the war of resistance against Japan, there was a magnificent anti-Japanese woodcut movement at the rear centering on Chongqing, the wartime capital. This art movement is the most important and vivid embodiment of surging, stretching for several years the woodcut exhibition activities. In this paper, the two woodcut organizations that lead the movement - that is, the predecessor of the All-China Woodcut Society and the later China Woodcut Research Institute, are the main axes for systematically reviewing various woodcut exhibitions held in the capital during the war. To make up for the shortcomings in the history of art history of anti-Japanese war and the history of new prints in China. On the other hand, we should trace back and understand the artistic activities with specific connotation and form that took place in special times and backgrounds.