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明清时期,商品经济的发展刺激了艺术品市场的繁荣,影响了世人的审美趣味。具有隐逸思想的图像出现在明清青花瓷画中,主要受隐逸文化和文人画的影响,是时人对心性本体回归的本能冲动和崇尚自然的审美状态的世俗化表现。
During the Ming and Qing Dynasties, the development of commodity economy stimulated the prosperity of the art market and affected the aesthetic taste of the world. The image of seclusion thought appeared in the blue and white porcelain paintings of Ming and Qing dynasties mainly influenced by hermitage culture and literati painting. It is the secular manifestation of the instinctive impulse of the return of the noumenon ontology and the appreciation of the aesthetic state of nature.