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近年,“丧子之痛”成为越来越多美国主流电影不断触及的话题。本文选取《孤儿》(2009)、《兔子洞》(2010)、《另一个女人》(2011)三部影片进行文本分析,切入中产阶级白人家庭内部,剖析文本所映射的当代美国中产阶级白人普遍焦虑与生存困境,包括家庭危机、宗教危机、安全危机等;同时,通过美国主流电影提供的解决策略,探讨其所反映的美国社会主流意识形态——保守主义的回归与和解至上的精神。
In recent years, “the pain of a bereaved son” has become a topic constantly touched by more and more mainstream American movies. This article analyzes the texts of three films “Orphan” (2009), “Rabbit Hole” (2010) and “Another Woman” (2011) into the white middle class of middle-class families, analyzing the texts that the contemporary middle- Anxiety and survival predicament, including family crisis, religious crisis and security crisis. At the same time, through the solution tactics provided by the mainstream American movies, the article probes into the mainstream American social ideology - the return of conservatism and the supreme spirit of reconciliation.