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关于当代篆刻辛尘先生在《当代篆刻评述》中有这样的定义:“当代篆刻其言所指乃是本世纪七十年代末八十年代初以来的篆刻创作及其理论研究”辛尘先生认为,当代篆刻是在延续和变异既往的传统篆刻的基础卜形成的,一方面由既往的篆刻传统艺术逻辑规定着它的发展轨道,同时艺术逻辑的推演又要受当代文化背景的影响,使得篆刻艺术观念和创作手法具有时代的烙印,当代篆刻就是在这样两种力量下形成的。至今,当代篆刻历经三十余年的风雨洗礼,已迅速壮大,生机勃勃,印学思想的不断积累和解放,使得篆刻家既不满足于
About contemporary carving Mr. Sin in the “contemporary carving review” has such a definition: “contemporary carving its words refer to the seventies of this century and since the beginning of the seventies carving creation and its theoretical research ” In his opinion, contemporary carving is formed on the basis of the traditional carving of continuity and variation. On the one hand, the traditional art of carving defines its development track. At the same time, the deduction of artistic logic is influenced by the contemporary cultural background, Making the concept of carving art and creative techniques with the imprint of the times, contemporary carving is formed under such two forces. So far, the contemporary carving of the seal after thirty years of wind and rain baptism, has rapidly grown, vibrant, continuous accumulation and liberation of Indian thought, making the seal cutting neither satisfied