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引言在中国艺术发展的历程中,富有艺术灵感、敢于创新的画家犹如璀璨的明星在艺术的历史长流中绽放光彩。而中国的花卉画是自然万物在画家的审美过程中得以升华的产物,往往具有一定的抒情性,借一花、一草来表达作者的思想感情,进而反映了现代社会生活,也提高了学画者对理论的把握,对技法的掌握程度,因此研究恽寿平的“没骨花”对当代中国画的理论研究和本人的创作有着重大的意义。一、恽派“没骨花”的形成“没骨”:不用墨线勾勒为骨,直接用彩色描绘物象,它和工笔息息相关,却有别于工笔,
Introduction In the course of the development of Chinese art, painters who are full of artistic inspiration and who dare to innovate are like stars who shine brightly in the long stream of art. However, the flower painting in China is a product of the sublimation of all things in the artist’s aesthetic process. It often has a certain lyricism, expressing the author’s thoughts and feelings by means of flowers and plants, which in turn reflects the modern social life as well as enhancing the students’ The artist’s grasp of the theory and the mastery of the technique have great significance for the study of the theory of contemporary Chinese painting and his own creation. One, 恽 send “no bone flower ” formation “no bone ”: no ink line sketched as a bone, directly with color depicting the image, it is closely related with the art, but different from the meticulous,