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在我国,革命历史题材影片创作与现实主义创作方法似乎已经结下了不解之缘。每当一部革命历史题材影片取得了成功,人们总是习惯于把它归结为“成功地运用了现实主义创作方法”。上述简单对号入座的方法,似乎已经成了一种固定的批评模式。它不仅束缚着电影评论工作者的手脚,使他们不能从新的角度对革命历史题材影片进行独特的审视和剖析,也妨碍着创作人员自身对影片创作经验的总结。
In our country, the methods of creating the film of the revolutionary history and the methods of creating the realism seem to have formed a bond of indissoluble bond. Whenever a film on a revolutionary history succeeds, people are often accustomed to concluding it as “the successful use of the realist approach to creation.” The above simple method of collusion seems to have become a fixed pattern of criticism. It not only binds the film critic’s hands and feet, making them unable to make a unique review and analysis of the revolutionary historical film from a new perspective, but also hinders the authors’ own summary of the film creation experience.