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帖学派书法经隋唐、宋、元、明各代逐步形成、发展、完善，到清代前期盛极而衰。阮元应时之需，撰《南北书派论》和《北碑南帖论》，系统地总结分析魏、晋以来书法的变化，将其划分为南北两大系统，论述了碑帖的形成及其特点，认为北派才是书法的正传，保存了隶书的古意，而北派书法又源于碑石，因此主张学习书法应以习碑为主，首倡碑学。经包世臣、康有为的倡导和宣扬，碑学兴起，盛行于清代后期的书坛。
Post school calligraphy by the Sui and Tang Dynasties, Song, Yuan and Ming dynasties gradually formed, developed, improved, to the early Qing Dynasty prosperous. Ruan Yuan should be timely, write << North and South School Pai theory >> and << Beibei Nanzitan theory >> systematically summarizes the Wei and Jin calligraphy changes, will be divided into two systems of north and south, discusses the formation of rubbings and its Characteristics, that the North is the normal calligraphy, preserved the official script, and the North calligraphy from the steles, so calligraphy should study calligraphy should be the main advocate Beishi. After Bao Shichen, Kang Youwei advocacy and publicity, the rise of the monument, prevailed in the late Qing Dynasty calligraphy.