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西方现代文论家艾布拉姆斯在他的名作《镜与灯》中，提出了一个在学界影响甚广的文学解读图式：世界—作家—作品—读者。从这四个维度，我们可以得出对作品不同的解读，对《菜园小记》的解读也可以如此，本文只是给大家提供一种方法论上的启示。从作品与世界的维度来说，我们
In his famous work, Mirror and Light, the Western modern literary critic Abrams proposed a literary interpretation pattern that has a very wide influence in the academic world: the world—the writer—work—the reader. From these four dimensions, we can come to a different interpretation of the works. The interpretation of the “living garden” can also be the case. This article only provides us with a methodological revelation. From the dimensions of works and the world, we