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“光影”是舶来之物,而“气韵生动”则是与中国哲学及中国传统画的创作原则、品评准则等密切相关的一个美学范畴。实践证明,两者之间并不存在不可调和的矛盾,且能够因对方的存在生发出新的可能性。在自己的水墨人物画创作中,我同样没有回避光影的表现,但这种光影不只是在非常有限的程度上保留了客观的印痕,而且是与其他画面元素一起为气韵的生成及情感与感受的传递等主旨服务。体积感与空间感只是在画面的主观需要的基础
“Light and Shadow ” is a foreign object, and “Vivid and Vivid ” is an aesthetic category closely related to Chinese philosophy and the traditional Chinese painting principle of creation, evaluation criteria. Practice has proved that there is no irreconcilable contradiction between the two, and can give birth to new possibilities due to the existence of each other. In my own ink figure painting, I also did not evade the performance of light and shadow, but this light and shade not only retained a very limited degree of objective imprint, but also with other screen elements together for the generation of aura and feelings and feelings The delivery of such key services. Sense of volume and sense of space is only the basis of the subjective needs of the screen