论文部分内容阅读
纵观中国美术史,山水画作为展现传统东方美学精神和思想的最佳途径,在其发展与演进的一千八百多年间,始终占据着中国绘画的主体位置。当人们运用现代意识形态将中国山水画纳入图像思维的时候,画面开始变成了形象表述的一种“语言”。当代以画面为主体的革新主要有两种主张:一种是在坚持传统中求新,回归山水本源而创建时代新语;一
Looking at the history of Chinese art, landscape painting, as the best way to display the traditional oriental aesthetics and thought, has always occupied the main body of Chinese painting during its development and evolution over 1,800 years. When people use modern ideology to incorporate Chinese landscape painting into imagery, the picture begins to become a “language” of the imagery. There are mainly two kinds of propositions of the contemporary picture-based innovation: one is to create new language of the times by insisting on seeking tradition from tradition and returning to the origin of landscape;