论文部分内容阅读
漆立体创作是由漆器实用性造物理念向私我精神表达的转变,更是由“器”向“器度”的转变。这种转变需要一定的艺术理念或观念作支撑,需要“器度思维”作指引,同时强化漆立体形态语言的表现力。本文着重从艺术创作理念、如何理解大漆、艺术表现手段等几方面研究当下漆立体的创作途径。
Lacquer three-dimensional creation is made from the lacquer practical concept of creation to the private spirit of the change, but also by the “device ” to “degree ” change. This kind of transformation needs the support of certain artistic concepts or concepts, and requires “logical thinking” as the guideline, and at the same time, reinforces the expressiveness of the paint stereoscopic language. This article focuses on the study of contemporary paint three-dimensional creative ways from the concept of art creation, how to understand the paint, artistic means of expression.