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我们谈了中国山水画的笔法、墨法,还谈了中国山水画的情趣、意境,应朋友们要求再回过来谈谈初学中国山水画应该如何起步和具体的控笔技法。这里主要关照的是初步接触中国山水画的人群,要在有限的时间内,让大家拿起手中的笔,并对绘画技法有所掌握。山水画远在隋朝就可以在人物画的背景中看到它的雏形,那时还处于“人大于山”“水不容泛”的懵懂期,唐代中期逐渐发展成独立的画种,历经宋、元、明、清
We talked about the brushwork of Chinese landscape painting and Mo Fa. We also talked about the taste and artistic conception of Chinese landscape painting. At the request of friends, we should come back and talk about how to start the Chinese landscape painting and how to control it. The main concern here is the initial contact with Chinese landscape painting crowd, to a limited time, so that we can pick up the pen in hand, and mastery of painting techniques. In the Sui dynasty, the landscape painting can see its prototype in the background of portrait painting, then still in the period of ignorance of “people are bigger than mountains” and “water can not be wide”, and gradually developed into independent painting in the middle of Tang Dynasty Species, after Song, Yuan, Ming and Qing