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毫无疑问，当代中国戏剧有一种浓浓的“五四”情结①。有人就指出：“……时隔数十年，我们仍没走出‘五四’精英们的文化视野。看一看1999年叫好的几台戏，都取材于‘五四’前后的历史时期文化巨人的作品：话剧《生死场》取材于‘五四’才女萧红的名作；川剧《金子》取材于三
There is no doubt that contemporary Chinese drama has a thick “May Fourth” complex ①. Some people have pointed out: “...... After a few decades, we still have not walked out of the cultural horizon of the ’May Fourth’ elites. Taking a look at several operas that were applauded in 1999 are based on the historical period culture around the May Fourth Movement Giant’s works: drama ”life and death market“ is based on ’May Fourth’ talent Xiao Hong’s masterpiece; Sichuan drama ”gold" based on three