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电影音乐领域一直被男性作曲家把持着(这种情况和古典音乐的创作相当类似,在西方音乐史上女性作曲家寥若晨星),涉足电影配乐较早的女性作曲家是英国人伊丽莎白·鲁特丝(E. Luytens,1906-1983)。从1940年代开始鲁特丝就受雇于英国的电影公司写配乐,早期的作品大多鲜为人知,1965年为影片《恐怖屋》(Dr.Terror’s House of Horrors)所作的配乐才有了一定的知名度。不过,还有一位比鲁特丝小四岁,却更早踏入电影配乐圈子的女性作曲家,她就是安妮·罗内尔(Anne Ronell,1910-),她是著名作曲家辟斯顿的学生,还曾师从格什温学习过一段时间。
The field of film music has always been dominated by male composers (this is quite similar to the creation of classical music, with few female composers in the history of Western music), and the female composer involved in the earlier soundtracks of English is Elizabeth Russet E. Luytens, 1906-1983). Since the 1940s, Rutgers has been filming soundtracks for British film studios. Most of his early works were little known. The soundtrack made for the film “Dr. Terror’s House of Horrors” Reputation. However, there is also a female composer who was younger than Lu Tessi but earlier in the soundtrack of the film, Anne Ronell (1910-), a famous composer of Preston Students, also had a teacher from Gershwin studied for some time.