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从20世纪90年代初,方向就把艺术的视点聚焦在他所熟悉的广东农村的家庭生活上。这不是我们现在所倡导的社会主义新农村的现代化的新景象,而
From the early 1990s, the direction of art focused on the family life in rural Guangdong, where he was familiar. This is not a new picture of the modernization of the new socialist countryside that we now advocate