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目的“祭山会”是羌族重要的传统文化活动,它是羌族传承民族精神的一种存在载体,“公共性”是羌族“祭山会”的一种重要的特征,随着震后羌族地区城镇和聚落的重建,羌族风情旅游路线的开发,“祭山会”的场域中日益呈现出一种新的公共艺术特征。方法本文通过现代公共艺术的视角从公共空间、公共活动和公共标识四个方面深入分析“祭山会”活动的属性。结论随着现代旅游文化的介入,羌族“祭山会”的祭祀坪、祭祀活动和祭祀元素已从很大程度上转化成具有现代公共艺术特征的现代旅游文化景观。
Purpose “Sacrificial Mountain Meeting ” is an important traditional cultural activity of the Qiang nationality. It is an existing carrier of the Qiang national heritage. “Publicity ” is an important feature of the Qiang ethnic group With the reconstruction of towns and settlements in the Qiang ethnic region after the earthquake, the development of Qiang ethnic tourism routes and the “sacrificial mountain meeting” field are increasingly showing a new public artistic feature. Methods From the perspective of modern public art, this paper analyzes in depth the properties of the activities of “offering sacrificial ceremonies” from four aspects: public space, public activities and public signs. Conclusion With the intervention of modern tourism culture, the worship and worshiping activities, ritual activities and sacrificial elements of the Qiangshan “Jishan Club” have largely been transformed into the modern tourism and cultural landscape characterized by modern public art.