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小说《红楼梦》自问世至今,存在着各种版本的戏曲改编,昆曲、京剧、川剧、越剧、黄梅戏等很多剧种都有尝试。由于其剧目多、影响大,故而统称为“红楼戏”。红楼戏大致可分四个时期:第一时期是从清乾隆末至清亡时的红楼戏,即清红楼戏;第二时期是民国时期的红楼戏,大致从二十世纪二十年代到四十年代;第三个时期是五十到七十年代;第四个时期是八十年代至今。由于受时代影响,每个时期的“红楼戏”在剧作主题、人物形象刻画、导演手法等各个方面都有不同侧重。本文主要通过对红楼戏演变过程的整体把握,探索新编红楼戏的可行性和现代意识。
Since the advent of the novel “Dream of Red Mansions”, there are various versions of drama adaptation, Kunqu Opera, Beijing Opera, Sichuan Opera, Yue Opera, Huangmei Opera and many other operas have tried. Because of its repertoire, the impact of large, so collectively referred to as “Red Mansion ”. The Red Mansion can be divided into four periods: the first is the Red Mansion from the end of the Qing Emperor Qianlong to the Qing Dynasty; the second is the Red Mansion from the 1920s to the fourth The third period is from the fifties to the seventies; the fourth period is from the eighties to the present. Due to the influence of the times, the “Red Mansions” of each period have different focuses on the themes of the dramas, character portrayals and director’s techniques. In this paper, we mainly explore the feasibility and modern awareness of the new Red Mansion drama through the overall grasp of the evolution of the Red Mansion drama.