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在现代艺术理论中,自主性是一个不能回避的话题。艺术的自主性是随着现代性语境的出现而出现的一个问题。从美学的角度来考察艺术自主性,德国美学家齐美尔的讨论为我们提供了一个很好的范例,齐美尔所提出的艺术自主性思想不仅仅是对资本主义物化文明的一种拒绝,同时也是后来现代主义艺术强调“为艺术而艺术”的一个天才预见;从文化社会学的角度来说,艺术的自主性要力图摆脱资产阶级对艺术的控制,摆脱艺术商品化和市场化的趋势,使现代艺术成为一种反对资产阶级物化现实和中产阶级平庸趣味的策略。立足于当下的文化社会学语境,艺术自主性呈现出诸种命意,透过这些命意,可以观照当下的社会形态及其文化逻辑。
In modern art theory, autonomy is an unavoidable topic. The autonomy of art is a problem that has arisen with the emergence of the context of modernity. From an aesthetic point of view to examine the autonomy of art, the discussion of the German aesthete, Simmel, provides us with a very good example. The idea of art autonomy proposed by Simmel is not merely a refusal to capitalist materialized civilization , But also a genius foreseen by later modern art emphasizing “art for art ”; from the perspective of cultural sociology, the autonomy of art tries to get rid of the control of art by the bourgeoisie and get rid of art commercialization and the market The trend of modernization has made modern art a tactic to oppose the bourgeois materialized reality and the mediocre interest of the middle class. Based on the current context of cultural sociology, artistic autonomy presents various meanings. By these means, we can observe the current social forms and their cultural logic.