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二十世纪二十年代,在德国出现了叙事体戏剧,被认为是一种新型的戏剧形式——它结合了表现主义和新现实主义的特点,具有客观的纪实文学风格。叙事体戏剧起初由业余演员组成的剧团在大街上表演讽刺政局的滑稽短剧。皮斯卡托和布莱希特后来成为这一领域的代表人物,“陌生化效果”“辩证戏剧”“历史化”等词汇开始成为叙事体戏剧新的表达理念。与此同时,“重估一切价值”的包豪斯学派开始影响世界的艺术发展,其衍生出来的剧场、戏剧、舞蹈,都与叙事体戏剧有着密切的联系,两者对1919年之后的戏剧发展带来了极大影响。
In the 1920s, the emergence of narrative drama in Germany was considered as a new form of drama - combining the characteristics of expressionism and neorealism with an objective style of documentary literature. Narrative Theater A troupe originally composed of amateur actors performs satirical political skits on the street. Piscatto and Brecht later became the representatives of this field. Words such as “defamiliarization effect”, “dialectical drama” and “historicization” began to become the new expression of narrative drama. At the same time, the Bauhaus School of “revaluation of all values ” began to influence the art development of the world. The theater, drama and dance derived from it were closely linked with the drama of narrative style. The dramatic development has brought great influence.