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在我的视角里,旗袍是最具有年代感的服装。虽然没有经历过旗袍装盛行的年代,但是我特别钟爱旗袍以及它所蕴含的文化内涵。旗袍对于我来说,是一种情结,一个梦是那一低头的温柔,是任何其它服装所取代不了的。我第一次亲眼看到的旗袍装形象,便是我的母亲:一头中长的波纹大卷发,一袭素雅的旗袍。在我的认知里,旗袍不只是一件衣服,更是年代记忆的载体。随着时间推移,现代旗袍造型逐步地演绎变化,加入了很多现代化的元素,甚至一些西式的元素,变得时尚而前卫。但我更倾向于旧时画报中的,带有年代感的,婉约、沉静、古典,魅惑中隐含着性感的旧时旗袍造型。我试着将这样的感受带入到作品的创作之中。
In my opinion, cheongsam is the most chic clothing. Although I have not experienced the era of popular cheongsam, but I particularly love cheongsam and its inherent cultural connotation. For me, a cheongsam is a complex, a dream is the bow of gentle, can not be replaced by any other clothing. The first time I saw the image of the cheongsam, my mother was: a long, long ripple curls, dressed in elegant cheongsam. In my knowledge, the cheongsam is not just a piece of clothing, but also a carrier of the era memory. As time goes on, modern cheongsam style gradually changes interpretation, adding a lot of modern elements, and even some Western elements, become fashionable and avant-garde. But I prefer the older pictorial, with a sense of the times, graceful, quiet, classical, charm implies a sexy old cheongsam shape. I try to bring such feelings into the creation of the work.