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随着时代的更迭,艺术观念的更新,艺术各门类也在不断交融、渗透。原来意义上的装饰艺术已突破了以往界定的范畴,而以一种审美理想与艺术风格及技巧,渗入到现代艺术领域。可以明显感到,具有装饰风格的作品已占有越来越突出的地位。无论美术、舞蹈、戏剧,艺术家们似乎对作品的情节性、生活化失去了兴趣,他们迷醉于抒发心灵真实的情感,以抽象的符号与造型来表达某种哲学意念或情境的美。于是,在现代艺术中创造了众多具有装饰性的、非写实的意境。这些意境,充满了隐喻、象征以至荒涎的色彩。下面我们可以从戏剧表现形式的变化,看装饰风格是如何越来越有意味地呈现在现代戏剧的舞台。戏剧自诞生以来,曾以其迥异的舞台风
With the change of the times, the renewal of the concept of art, the various art categories are constantly blending and infiltrating. The original sense of the decorative arts has exceeded the previously defined areas, but with an aesthetic ideal and artistic style and skills, into the field of modern art. It can be clearly felt that works with decorative style have occupied an increasingly prominent position. Regardless of art, dance and drama, the artists seem to have lost interest in the plots and the life of the works. They are fascinated by the real emotions of the soul and express the beauty of a philosophical idea or situation with abstract symbols and shapes. Thus, in the modern art has created a large number of decorative, non-realistic mood. These moods, full of metaphors, symbols and even despicable color. Below we can from the dramatic changes in the form of expression, to see how decorative style is more and more interesting in the stage of modern drama. Since its inception, drama has its very different style of play