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在读向宁作品的时候,忍不住就想起杜威的话来,他说,“每一位批评家,就像每一位艺术家一样,都具有一种偏见与偏爱,它与个体的存在本身联系在一起。”①向宁对“形形色色的社会生活”的偏爱,对故乡关中风土人情的深刻记忆,对现实主义方法和平淡抒情的秉持,②无不显露出一个平淡、平实、平和之人对文学作为人学的信念坚守与执著。很显然,这种偏爱与秉持在众声喧哗、日新月异的当下文学语境中是多么难得,又是多么“不合时宜”。伴随上世纪80年代追“新”逐“后”的
When he read Ning’s work, he could not help thinking of Dewey’s words. He said: “Every critic, like every artist, has a bias and preference that is linked to the existence of an individual Together. ”① The preference of Ning to“ social life of all kinds ”, the profound memory of the customs and customs of the hometown, the upholding of the realistic method and plain lyricism, ② all reveal a plain, plain and peaceful People adhere to the faith of literature as humanity. Obviously, this kind of preference and uphold in the noisy, fast changing contemporary literary context is rare, but also how “out of date ”. With the last century, chasing the 80 ’s “new” by “after”