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当市场意识毫无阻拦地渗透到文化艺术领域时,中国赏石也在文化泛化与审美泛化的浪潮中面临传统模式的衰弱与审美趣尚的转型,高雅文化的至高地位和经典美学的艺术体系受到无情地冲击,古代赏石理念已难以满足当今大众的审美需求。从受古典美的熏陶到自由开放的休闲美学,从文人墨客的精神代言到大众群体的娱乐宣泄,从艺术的理性思维到生活的感性玩味,中国赏石的审美趣尚在当今文化艺术的多元融合中逐渐趋于休闲化、个性化和时尚化,并朝着创造性审美的方向发展。在此,笔者根据赏石界二十余年的兴盛历程,以形而上的哲学思辨,对这种凸显鲜明时代特征的审美趣尚转型做出适当的价值判断。
When market awareness permeated the field of culture and the arts without any barrier, Chinese stone appreciation also faced the decline of the traditional model and the transformation of aesthetic taste in the tide of cultural generalization and aesthetic generalization. The high status of elegant culture and classic aesthetics Art system has been mercilessly hit the ancient concept of rock has been difficult to meet the aesthetic needs of today’s mass. From being influenced by classical beauty to free and open aesthetics of aesthetics, from the spiritual endorsement of literati to the amusement and catharsis of mass groups, from the rational thinking of art to the sensual and pondering of life, the aesthetic taste of Chinese ornamental stone is still in the multi-fusion of contemporary culture and art Gradually become leisurely, personalized and fashion, and towards the direction of creative aesthetic. Here, according to the prosperous course of more than 20 years of the appreciation of the stone circle, the author uses the metaphysical philosophical speculation to make appropriate value judgments on the aesthetic transformation that highlights the distinctive features of the times.