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“说”是曲艺的本体。它既有表演中说白的成分,也是唱腔中以语言为基础的依字行腔原则与特色,更是曲本内容的叙事性核心功能。在曲艺的表演与创作中需要紧紧围绕“说”这个核心艺术特色才能不离本体,有的放矢。曲艺创演成功与否与其是否不离“说”的核心有着本质联系,与其“说”的内容、能力、意趣有着最直接的关系。本文从这个角度对近年来观摩考察过的曲种表演与创作评述与讨论,旨在厘清曲艺表演与创作的核心原则。
“Say ” is the body of folk art. It not only has the white ingredients in the performance, but also the language-based principle and characteristic of the language in the singing. It is also the narrative core function of the music contents. In the performance and creation of folk art, we need to closely focus on the core artistic features of “say” so that it can not be denied itself or its target. The success or failure of QIYI’s creation is closely related to the core of “Saying”, and it has the most direct relationship with the content, ability and interest of “Saying”. From this perspective, this article reviews and discusses the performance and creation of the karaoke songs that have been inspected in recent years, and aims to clarify the core principles of performance and creation of karaoke arts.