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研究宋代绘画的审美特色嬗变问题,将研究视角放在宫廷趣味或是其他方面固然重要,但理学是我们研究宋代花鸟画一个不容忽视的角度。往往一个时代的哲学思想和绘画之间存在着一条隐性的内在关系,这些内在关系的存在直接决定着绘画审美特色内在心理结构的最终形成。这种联系尽管可能隐而不见,但无疑却是从思想的深处影响绘画发展的重要因素。
It is of course important to study the evolution of the aesthetic characteristics of the Song Dynasty paintings. It is important to focus on the study of the court interest or other aspects. However, Neo-Confucianism is an angle that we can not ignore in the study of flower and bird paintings in the Song Dynasty. Often an implicit inner relationship exists between philosophical thoughts and paintings of an era. The existence of these inner relations directly determines the ultimate formation of the intrinsic psychological structure of the aesthetic characteristics of painting. Although this connection may be hidden, it is undoubtedly an important factor that affects the development of painting from the depths of thought.