论图像和景观的关系

• 作 者: 姚志辉
• 机 构: 西安美术学院,
• 出 处: 大众文艺
• 发表日期: 2017年05期

进入新的传播时代后,机械复制的图像传播术已经换代,图绘印刷术已让位于数字图像的传播,传播方式的改变也进一步质问了图像的意义,传播方式的数据化,让图像的浪潮汹涌而来。但图像本身有可能越来越疏离现场,如果这种不对应现场的关系发生,将使图像变成景观。本文从关系美学和图像学出发,以艺术实践的方式,来尝试阐述图像变成景观的现象,探讨艺术回到现场的路径。在此环绕的点,就是在这个消费时代下,图像是否会成为

Into the new era of communication, mechanical copying of the image transmission has been replaced, graphics printing has allowed the spread of digital images, changes in mode of transmission also further questioned the meaning of the image, the way of transmission of data, so that the image of The tide is coming. But the image itself may be more and more alienated from the scene, if this does not correspond to the scene of the relationship will make the image into a landscape. Starting from the relationship aesthetics and the image science, this article attempts to elaborate the phenomenon that the image turns into the landscape by way of the artistic practice and discusses the way of the art returning to the scene. The point that surrounds here is whether or not the image will be in this consumer age