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出差前,看了两次中央戏剧学院演出的《马克白斯》,其中一个舞台调度处理给我留下极深的印象:三幕一场,以暗杀国王而篡得王位的马克白斯从高台阶上右斜向走下,伸出手臂,威逼性地示意班戈施臣礼;已猜透隐情的班戈强忍不满向左前侧跪吻。当班戈起身时,二人一转身,呈背靠背状:马克白斯左转身向夫人说话,班戈右转身,忍辱含愤、面露不悦;班戈正欲向右后侧走去,马克白斯又面转右侧,以充满杀机的目光盯了一眼班戈的后影。——二人的左右侧转均呈弧线。我感到这个调度流畅极了!真美。美,流畅是我对这一导演空间处理的直感,可为什么,当时没来得及细想。
Before I went on a business trip, I watched twice as “Macbeth” at the Central Academy of Drama. One of the stage dispatches left a deep impression on me: the three acts of a scene, the assassination of the king and usurpation of the throne from the high Step down the right diagonally, extending his arm, threatening to indicate Bangshi Shi Chen Li; Gobang have been guessing the hidden grudges to kneel kisses to the left front. When Bangor got up, the two turned around and showed a back-to-back shape: Markus turned left to talk to his wife, and Bangor turned to the right with an indignation and displeasure; Bangor was trying to walk to the right back and Mark White Sri Lanka and then turned to the right, full of murderous gaze stared at Bangor shadow. - Both left and right turn were arc. I feel this schedule is very smooth! Beauty and fluentness are my direct thoughts on the director’s space management, but why did not I have time to think carefully.