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一、提按我们始终认为,“提按”要素,是书法中一切技法之大关键,几乎所有书体书风都离不开提按技法的运用,各有其不同程度、幅度及不同方式的动作。除却《峄山碑》之类铁线篆(可以认为是一种提按因素无限接近于零的形式)以外,涉及到书法史上任何一类风格、任何一家,都有其特定的提按法则和内在规律。我们研习一种风格、一种字帖,也同样必须先关注、解决和把握提按的问题。尤其在研究某一风格“系统”的时候,更
First, mentioning that we always hold the view that “mention ” elements are the key to all the techniques in calligraphy. Almost all book style can not be separated from the application of techniques. Each has its own varying degrees, amplitudes and differences Way of action. In addition to the “Shan monument” and the like iron wire seal (which can be regarded as a pressing factor close to zero in the form of infinite), relates to any one of the calligraphy history of any style, has its own specific rules and Internal rules. We study a style, a copybook, also must first pay attention to solve and grasp the issue of mentioning. Especially in the study of a particular style “system ”, more