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根据新康德主义的观点,寓言所具有的辩证性质是含混和歧义的表现,颠覆了人类的情感和理解力。本雅明指出,新康德主义从一种非辩证的眼光出发,自然无法理解寓言这种辩证的表达方式的奥妙,不能理解神的意向和艺术本身的意向既对立又统一的辩证关系。正是通过运用寓言,悲悼剧才超越了美,超越了整一与和谐,完美与伪善,呈现出真实的存在。
According to neo-Kantianism, the dialectical nature of fables is a manifestation of vagueness and ambiguity that subverts human emotions and comprehension. Benjamin pointed out: From a non-dialectical perspective, Neo-Kantian can not naturally understand the mystery of the dialectical expression of fables, and can not understand the dialectical relationship between the intentions and the intentions of art itself, both in opposition and in unity. It is through the use of fables that mourning drama transcends beauty and transcends unity and harmony, perfection and hypocrisy, and presents a real existence.