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一今年2月初,在我构思本次明圆水墨年度展之际,因正在美国访学,在纽约大都会博物馆遭遇了这里隆重推出的中国水墨艺术展。这个名为“Ink Art:Past as Present in Contemporary China”真的展览被置于大都会亚洲展区中国馆之中,当代中国艺术家的作品与那些面目沧桑的中国古代艺术品交错陈列着,颇为精心地突出了“以古为今”的主题。这个据说是筹备了7年方始露面的展览与国内近年“突然爆发”的水墨热潮不期而遇,引发了圈内不大不小的兴奋,兴奋之余,也留下了诸多
In early February this year, when I conceived this annual exhibition of bright round ink, I was confronted with the grand opening of the China Ink Art Exhibition here at the Metropolitan Museum of Art in New York for my visit to the United States. The exhibition titled “Ink Art: Past as Present in Contemporary China ” was placed in the China Pavilion of the Metropolitan Asia Pavilion. The works of contemporary Chinese artists are staggered with those ancient Chinese artworks of various aspects. To carefully highlight the “ancient to modern” theme. This is said to be prepared for a 7-year appearance before the exhibition and the domestic “Suddenly exploded ” ink craze unexpectedly met, sparked the circle of subtle excitement, excitement, but also left a lot of