论文部分内容阅读
民间资源在少数民族现代叙事文学中以故事和话语的方式进入文学。在故事方面,叙事文学的题材、人物品格、空间呈现等方面都或多或少有民间因素的参与。叙述文学的话语层面主要体现在表述层面上。人物的言语、情节的展现、语体的选择等都经常受民间元素影响。民间资源进入叙事文学反映出少数民族现代作家的民间立场。大致来看,局内人式批判、改造性呈现以及诗性创造是三种主要的民间立场类型。少数民族现代作家对民间资源的运用总体上可归结为集成与转化,而转化则受到民族国家意识、启蒙意识和革命斗争意识、民间革新观念以及“五四”精神的综合作用。
Folk resources enter literature in the way of stories and discourses in the modern narrative literature of ethnic minorities. In the story, narrative literature theme, character style, spatial presentation and other aspects of more or less private factors involved. Narrative literature discourse level is mainly reflected in the expression level. People’s speech, plot display, the choice of language are often affected by folk elements. The entry of non-governmental resources into narrative literature reflects the folk standpoint of modern writers of ethnic minorities. Generally speaking, insider criticism, transformational presentation and poetic creation are the three main types of folk positions. The utilization of non-governmental resources by modern ethnic minority writers can generally be attributed to integration and transformation, while transformation is influenced by the concepts of nation-state awareness, enlightenment awareness and revolutionary struggle, the concept of non-governmental innovation and the spirit of the May Fourth Movement.