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陈子昂在《与东方左史虬修竹篇序》中说:“文章道弊五百年矣。汉魏风骨,晋宋莫传,然而文献有可征者。仆尝暇时观齐梁间诗,彩丽竞繁而兴寄都绝,每以咏叹。思古人常恐逶迤颓靡,风雅不作,以耿耿也。”由此举起了诗歌革命的旗帜,主张改革六朝以来过分注重形式的绮靡纤弱的诗风,恢复《诗经》以来的现实主义传统,强调比兴寄托,提倡汉魏风骨,对唐代和后世诗歌产生了深远的影响。
Chen Zi-ang said in his book “Bamboo Slips of the History of the Left Historian”: “The article has five hundred years of fallacies. The Han and Wei Dynasties, the genre of Jin and Song dynasties, however, Poetry, color and beauty are prosperous and prosperous send each and every admiration. The ancients are often afraid of staggering, elegance do not, in order to dedication. ”Thus raised the banner of poetic revolution, advocating the reform of the excessive emphasis on form since the Six Dynasties The poetic style of the beautiful and delicate poetry restored the tradition of realism since The Book of Songs, stressing that Hibiscus and Hibiscus tend to advocate the strength of the Han and Wei Dynasties and exert a far-reaching influence on the poetry of the Tang Dynasty and later generations.